Moments
My painting is about memories of things I have
experienced.
The interpretation of several glances at a
situation reflects a longer period: the moment.
Duties
determine our everyday life. It takes time to deal with these. There is no time
to lose. This leads
to life speeding up. It is difficult to step away from this.
Still, some
situations make us pause. Situations that surprise us, that are sudden or
unexpected or that might be created, like pouring a cup of tea. These moments
last longer than just a moment. Impressions of experiences are often composed
of several views. This takes time. The memory of these moments is the subject
of my painting.
Sometimes,
for example, we might look at a certain detail. More glances during these
moments might lead to memories of one aspect or another. These recollected
glances reflect a longer period than every individual glance. In my paintings the
simultaneous depiction of several recollected glances of one moment reflect the
interpretation of the memory of a longer period. In this way I condense
experience. The memory and the associated choice and
interpretation of several glances lead to occultation, overlapping and
stringing together of these and in this
way the formerly strict sequence becomes
varied.
During a period
in which glances and the associated impressions are joined, the respective
situation changes constantly. People in front of us move, we are in motion.
Interpreting
the observation from different positions includes temporal changes: on the one
hand in our own position of observation which has changed over course of time;
on the other hand in the temporal change of the situation which occurs in front
of our own eyes; and, thirdly in the differing clarity of our memory of each observation.
All these aspects integrate the observer of the painting into the experience of
such situations and they do not just leave him in front of the image.
As in most
paintings the other temporal aspect lies in the way the brush leaves traces of paint
over the canvas.
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